![]() Coming from photography, a relation that goes back to the 70s of last century, my use of video started, effectively, when DSLRs offered the option to create moving images. Users of “professional” NLEs have asked me why I don’t use something else and any reply has to include my background. I first tried PowerDirector in 2005 and in 2007, with version 6.0, it became my regular NLE. I’ve used both programs for over a decade now, so I am familiar with their respective interfaces, and that explains why I keep using them and do not feel the need to change. ![]() There is a reason for me to go back to PowerDirector when I want to edit video: it offers me all I need to build my narratives, and its interface, made for video editing, is not very different from the one I am faced with when I open my slideshow creator, ProShow Producer, from Photodex. From a slide show editor to a video editor Again! Meanwhile, Resolve’s shortcut is quietly waiting on my desktop. CyberLink’s NLE was launched recently, and I could not resist exploring this new version. I promised myself that 2018 was the year to learn Resolve, but we’re running through the last days of December and I recently installed PowerDirector 17, which I’ve used to edit the video present here and the video used on my hands-on of the Fujifilm X-T3. In fact, and that’s me, my experience with NLEs has not been an easy one: I’ve tried and even edited in HitFilm Express, I’ve used Premiere Pro, tried Lightworks, DaVinci Resolve and a series of other software, many not present in the “most popular list”, and I tend to go back to the same video editor: PowerDirector, from CyberLink. My experience with NLEsĪlthough I agree that Resolve is not easy to grasp, I also believe that “learning curves” are more or less steep depending on where you come from, and in my case, having tried to use Resolve’s, I must say that not even the fact that it is FREE has helped much. On the other hand, despite the fact that Resolve is, as Scott writes, on a “march toward post-production dominance”, and has a FREE version, its interface has the “steepest learning curve followed by Avid and then Premiere and FCPX” according to a comment made by Lou Hemsey. ![]() Adobe’s Rush, which Scott Simmons compares to the old Adobe Premiere Clip, “but better” is not what most have in mind. Reading both articles and comments I felt there was a common tone: the suggestion that a NLE with an interface easy enough for most people to quickly edit would be welcome addition to the actual line up of video editors. ![]() From Resolve’s “march toward post-production dominance” to Adobe’s Premiere Rush, developed with YouTube creators in mind, the articles and the comments that they originated are interesting material to read, for what they reveal about the actual state of the industry. The titles for these articles, despite the fact that they all are about NLEs, do not suggest there is a deep connection between them, but there is: they all go back to the continued quest after the “best” editor, the easier to learn, how the word “FREE” has changed perspectives. Searching for an NLE with an easy interface Finally, November 14 he published “ DaVinci Resolve 15.2 update continues Blackmagic’s march toward post-production dominance”. October 11 Scott wrote “ Which non-linear editing application should a graduating high school senior be certified for?”, followed, on October 17, by “ Adobe releases Premiere Rush, the easy, cross-platform video editor that may not be made for you”. All these questions, some suggestions and many opinions have appeared here at ProVideo Coalition in recent months, in a series of articles written by PVC’s Editor Scott Simmons.īecause I believe you’ll want to read the whole series, let me point you to the different articles. The questions above may all have different answers, depending not only who you ask, but in which area of the industry they work, and, strangely as it may sound, also depending on the region they live in, and sometimes the country or part of the world where they live.
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